
Harvest and Waterways
Water finds every field. Irrigation lines connect workers, animals and terraces into one continuous rhythm.
DreamSupreme / Artist
Painting, memory and village life seen through I Wayan Pugur’s generous, many-layered world.
The paintings
Work, water, animals, ceremony and rest. Open a painting through its image or complete title; press and hold the image to briefly see the whole composition.

Water finds every field. Irrigation lines connect workers, animals and terraces into one continuous rhythm.

The procession gathers. Bodies, baskets and the buffalo form a diagonal current through the flowering field.

Boats cross the terraces. Sails, paddles and water lines turn travel and work into a horizontal score.

The chorus answers. Frogs repeat like notes around a still centre while water divides the scene in blue.

A market made of gestures. Every exchange has its own tempo; the dark blue ground holds them together.

The courtyard works. Tools, animals and carried vessels fill the orange foreground; water opens the distance.

Work enters the garden. The compound is a machine of hands and tools, framed by an impossible abundance of leaves.

A pause above the procession. Four figures rest and eat in the rice while the immense ceremony gathers below them.

The bulls set the pace. Two warm bodies cross a blue ground as village traffic parts and reforms around them.

Gold becomes landscape. Rice, trees and clothing merge into a field of ochre lines interrupted only by water.

Water holds the garden. Fountains and bathers form a quiet centre while butterflies and offerings move around it.
One chapter, three reasons
Pugur paints a living social landscape: ceremonies, animals, labour, water and rest coexist without being reduced to decoration.
We keep film, conversation, provenance and the paintings together, so collecting begins with context rather than a detached product image.
Arya Dome extends the chapter into a regenerative place: an archive, meeting point and future setting where art, hospitality and practical learning can meet.
From studio to shared world
Original paintings, editorial stories and limited objects remain connected through visible provenance and direct artist context.